Essay Type Questions And Answers On Much Ado About Nothing Shakespeare

Sample questions

Typical questions ask you to show how a character develops during the play, or how a theme is presented, or to look closely at a scene in the play. So we might have tasks like:

  1. How does Beatrice change during the course of the play?
  2. How is the theme of love dealt with in Much Ado About Nothing?
  3. How is drama created in Act 4, Scene 1?
  4. What is the role of Don John in Much Ado About Nothing?

Each of these tasks mentions one main topic. For example, the first is about Beatrice, so it is about character. You will also have to deal with a number of other topics in your answer. For instance, you should examine how she speaks, so you are looking at language. You could also look at her part in the plot - how she is used for dramatic effect and the themes she talks about. We could look at each question in the same way.

For instance, an answer to Question 3 above should cover what Act 4, Scene 1 adds to the overall plot, the characters in the scene, dramatic effects (that is the main part of the question!), themes in the scene, and the language the characters use.

In other words, try to look at a range of topics in your answer. Markers are always pleased to see answers which cover plot, character, dramatic effect, theme and language.

Back to Much Ado About Nothing index

1. Much Ado About Nothing is supposedly a comedy: Beatrice and Benedick trade insults for professions of love, and Claudio and Hero fall in love, out of love, and back in love again. But the play contains many darker, more tragic elements than a typical comedy. In what ways is this play tragic?

2. A central theme in the play is trickery or deceit, whether for good or evil purposes. Counterfeiting, or concealing one’s true feelings, is part of this theme. Good characters as well as evil ones engage in deceit as they attempt to conceal their feelings: Beatrice and Benedick mask their feelings for one another with bitter insults, Don John spies on Claudio and Hero. Who hides and what is hidden? How does deceit function in the world of the play, and how does it help the play comment on theater in general?

3. Language in Much Ado About Nothing often takes the form of brutality and violence. “She speaks poniards, and every word stabs,” complains Benedick of Beatrice (II.i.216). Find examples of speech and words representing wounds and battles in the play. What do Shakespeare and his cast of characters accomplish by metaphorically turning words into weapons? What does the proliferation of all this violent language signify in the play and the world outside it?

4. In some ways, Don Pedro is the most elusive character in the play. He never explains his motivations—for wooing Hero for Claudio, for believing Don John’s lie, even for setting up Beatrice and Benedick. He also seems to have no romantic interest of his own, though, at the end of the play, without a future wife, he is melancholy. Investigate Don Pedro’s character, imagine the different ways in which he could be portrayed, and ascribe to him the motivations that you believe make him act as he does. Why is he so melancholy? Why does he woo Hero for Claudio? Is he joking when he proposes to Beatrice, or is he sincere? Why would Shakespeare create a character like Don Pedro for his comedy about romantic misunderstandings?

5. In this play, accusations of unchaste and untrustworthy behavior can be just as damaging to a woman’s honor as such behavior itself. Is the same true for the males in the play? How is a man’s honor affected by accusations of untrustworthiness or unfaithfulness? Do sexual fidelity and innocence fit into the picture in the same way for men as it does for women? Examine the question of honor and fidelity as it relates to four male characters in the play: Benedick, Leonato, Claudio, and Don Pedro. What could Shakespeare be saying about the difference between male and female honor?

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